I’m interested in the emotional response that anthropomorphic objects elicit, and in our desire to imagine life within them. My life-sized ‘people’ are the artistic output of playful musings on this idea, merging sculpture with puppetry and some robotics, with the intent of evoking a (pleasurable) sense of uncanny ‘presence’. Each sculpture intends to convey some character or personality, and to this end, my work is influenced by puppetry. Though the works are human sized, they function as puppets in that they are posable and can be used for performance, but they are also robotic in that they have some autonomous motion and some reactive motion. The sculptures are based on the human form because the human form is at once most uncanny and also most relatable. Relatability is an important aspect of my work, as I use my humanoid sculptures to create playful interactive experiences for viewers, experiences that hinge on the uncanny and on the illusion of presence.